Jacqueline-Bethel Tchouta Mougoué
From 1958 to 1961, Kom women in western Cameroon cast aside their regular domestic and agricultural duties to engage in a revolt against British administrative interference in agriculture—normally their domain—and the alleged plan by the ruling political party, the Kamerun National Congress (KNC), to sell Kom land to Nigerian Igbos. In keeping with the practices of anlu, a centuries-old women’s organization generally deployed against people who violated the Kom moral code, women interfered with burial rituals; hurled insults at men in public; demanded the closing of schools, courts, and markets; set up roadblocks; destroyed and burned property; and defied both traditional and British authorities in the Bamenda Grassfields of western Cameroon. Their tactics included stripping naked in front of men. While local men considered the sight of the vagina in public to be a bad portent and thus understood the seriousness of the revolt, flabbergasted British officials had no idea what was to come. By seizing control of resources and demonstrating in public, Kom women disturbed local political power, and protested against British rule in the Southern Cameroons. They were a crucial force in the victory of the Kamerun National Democratic Party (KNDP) in 1961, which brought a restoration of political order at the time of independence.
The meaning and context of gender is contested even in the 21st century. No generalizations about gender are applicable through time or across space. Even where gender roles are defined by particular cultural norms, they are not static, and an individual may pass through several gendered social transformations in a lifetime. Sub-Saharan African rites of passage into adulthood are sometimes marked by gender-specific physical mutilations such as circumcision, dental modification or scarification, together with other forms of symbolic marking that invariably adopt a binary gender system as the norm. The initiations are largely designed to instruct initiates about behavior appropriate for men and women of reproductive age belonging to a specific community. Some aspects of initiation rites may be detected archaeologically through skeletal alterations, rock art motifs, and props such as scarified dolls. Concepts of gender are also connected to the last rite of passage: burial. Through this, people gain access to the ancestral world. In some parts of Africa such as Mali, men and women are buried with the artifacts they owned in life, while in Ethiopia, stelae mark the gender of the deceased. Elsewhere, as in the Stone Age of southern Africa, gender-undifferentiated grave goods are placed with men, women, and children, suggesting a genderless ancestral world. Gender roles can be identified in some archaeological sites in parts of Africa, and these roles sometimes appear to have altered through time. Gender roles changed with environmental shifts, and certain tasks such as big-game hunting disappeared as a result. In other cases, gender roles were revised because of social pressures imposed on specific communities.
Kathryn Linn Geurts
For centuries, European and Global North observers of non-Western societies have been fascinated by African bodily expressivity and power. Artistic and ritual displays of bodily ways of knowing have captivated explorers, traders, missionaries, anthropologists, historians, and tourists, and this engagement has spawned a robust industry of representational accounts of African affect and sensibilities. Both European colonialism and American imperialism created and produced voluminous documentation of “the black body” through study of folklore, proverbs, myth, sculpture, masks, adornment objects such as beads, tunics, hair combs, and so forth. In addition, film and still photography have been used to capture vivid portrayals of bodily powers revealed in dance and possession trance. A history of such documentation and collection reveals shifts over more than a century in the way body, affect, and sensing have been understood and studied. Anthropology and psychology took the lead in attending to affect and the senses, but by the late 20th century additional fields such as music, art history, archaeology, and history joined in the sensory turn.
In the late 19th and 20th centuries, massive numbers of African women, poor and rich, educated and uneducated, were deeply involved in resistance to European colonialism/imperialism and male domination at both the national and local levels of their nations. The 1890 rebellion led by Charwe in present-day Zimbabwe, the 1929 women’s rebellion in eastern Nigeria, the 1940s women’s marches in Senegal as part of the strike of African male railway workers so beautifully chronicled in Ousmane Sembene’s God’s Bits of Wood (1960), the Mau Mau rebellion in Kenya, the revolution against the French in Algeria, and women’s roles as troop support and combatants against the Portuguese in Angola and Mozambique and against apartheid in South Africa are among the many examples of women centered in African resistance to colonialism and African nation-building. In all of these struggles women did not isolate their struggles as women from their struggles as oppressed people.
Born Frances Olufunmilayo Olufela Abigail Folorunsho Thomas, but best known as Funmilayo Ransome-Kuti (and later Funmilayo Anikulapo -Kuti), is the best-known Nigerian woman anti-imperialist, pan-Africanist, and feminist. She struggled for the independence of Nigeria and the empowerment of Nigerian women to vote, be educated, and be included in the governance structures of their nation. She also identified herself as a human-rights activist who struggled on behalf of the poor and disenfranchised of all nations. She was among a small number of West African women (such as Adelaide Casely-Hayford, Constance Cummings-John, and Mabel Dove Danquah) who traveled widely internationally and who were active in international women’s organizations such as the Women’s International Democratic Federation (WIDF) and the Women’s International League for Peace and Freedom (WILPF). At one point, when Amy Ashwood Garvey visited Nigeria, FRK wrote to ask about affiliating with Garvey’s United Negro Improvement Association (UNIA) Women’s Corps.
In addition to her travel to many countries on the African continent, FRK traveled to Eastern and Western Europe, the Soviet Union, and China. Though invited to participate in a conference in San Francisco in the 1950s, she never visited the United States because she was unable to secure a visa due to her travel during the Cold War to eastern bloc nations and China, for which she was accused of being a communist. She was never a member of the communist party, but she did embrace the socialist ideal that all people were entitled to their freedom, education, medical care, and housing, and her activism was firmly rooted in grassroots organizing.
She is best known for having led the struggle that deposed the Alake (king) of Abeokuta, for leading women in their struggles against taxation by the British colonial government without the vote or representation in government, and for her work with the nationalist party the National Council of Nigeria and the Cameroons (NCNC) and with the Nigerian Union of Teachers (NUT). She founded two women’s organizations within Nigeria, the Abeokuta Women’s Union (AWU) and the Nigerian Women’s Union (NWU-which was the basis for the formation of the Federation of Nigerian Women’s Societies), and a short-lived political party, the Commoners’ People’s Party (CPP). Internationally she worked with the WIDF (of which she was elected a vice president), the WILPF (that listed FRK as president of its Nigeria section), and the West African Students’ Union (WASU) of London. She authored articles on women in Nigeria in the WIDF journal, and one (“We Had Equality ’til Britain Came”) in the Daily Worker published in London.
During her lifetime as an activist, she received many honors: the Order of the Niger (1965—from the Nigerian government for her work on behalf of the nation); honorary doctorate from the University of Ibadan, Nigeria (1968); an appearance in the International Women’s Who’s Who (1969); and Lenin Peace Prize (1970).
On her death in 1978, FRK was hailed in headlines in major Nigerian newspapers as the “Voice of Women” and “The Defender of Women’s Rights.” She is also considered a pioneer in the articulation and practice of African feminism and an important figure in the rise of Nigerian radical political philosophy. Analyses of 20th-century African and transnational feminism will continue to be informed and complicated by her story.
The workings of modern empire can better be viewed through the lens of gender because gendered hierarchies illuminate broad, intersecting aspects of the colonial project.
Community, kinship, household economies, religion, education, sexuality, social engineering, nationalism, and transnational reform movements were all inflected by imperial patriarchy in various guises. This perspective is especially rich for “French” North Africa (Algeria, Tunisia, and Morocco) from 1830 until 1962 since the region and its peoples were subjected to intense forms of “European” settler colonialism. From the start, the “woman question” assumed particularly fraught and contentious dimensions whose repercussions can be detected even today. Nevertheless, colonial North Africa did not represent a self-enclosed container. Transimperial and global processes shaped the sociopolitical terrain, and in turn. Policies, practices, and resistance in the Maghrib exerted a powerful torque far beyond its limits. Key to understanding women, gender, and settler colonialism is the state of the “archive,” the sprawling corpus of records, writings, words, things, and images left in an empire’s wake. The voices of women, children, and “ordinary” people, those labeled “the colonized,” have until recently been missing in conventional narratives. As Antoinette Burton observed, the archives themselves structure “the conceptual frameworks of women’s and gender history.” In the imperial historical context, the task of recuperating and restoring lost voices is all the more problematic, yet urgent. One might also add that the fundamental question is “whether ‘women’ is a category at all.”
Apartheid, the system of racial and ethnic separation introduced in South Africa in 1948, was a gendered project. The immediate goal of the white Afrikaner men who led the apartheid state was to control black men: to turn black men from perceived political and criminal threats into compliant workers. Under apartheid, African men would travel to work for whites in towns and on mines, but their homes would be in rural ethnic “reserves,” known as “homelands” or “Bantustans.” This vision depended on the labors of African women: while their men migrated to work, women were to maintain their families in the increasingly overcrowded and desolate countryside, reproducing the workforce cheaply while instilling a sense of ethnic difference in their children. “Coloured” (mixed-race) and Indian women were similarly charged with social reproduction on a shoestring, in segregated rural and urban areas. White women uniquely had the franchise and freedom of movement, but they were also constrained by sexually repressive laws.
Apartheid’s gendered vision of production and social reproduction faced continual resistance, and it ultimately failed. First, it failed because African women increasingly moved from rural areas to urban centers, despite laws limiting their mobility. Second, it failed because some women organized across ethnic and racial lines. They often organized as mothers, demanding a better world for a new generation. Both their nationally and internationally resonant campaigns—against pass laws, educational and health care inequities, police brutality, and military conscription—and the fact of their collective organization gradually undermined apartheid. Officials generally underestimated the power of women, and their contributions have continued to be under-appreciated since apartheid ended in 1994, because women’s political style emphasized personal and familial concerns. But because apartheid was premised on transforming how families lived, actions of women in fact undermined the system from its core.
Aili Mari Tripp
While women were never fully equal to men in the political sphere, women in precolonial Africa governed kingdoms, established cities, launched military conquests, and founded states. Some governed as sole rulers often as queens, while others governed together with a king, as a mother or sister of the king. A third arrangement involved a tripartite sharing of power among the king, mother, and sister, and a fourth arrangement involved societies in which an age set or group of elders governed the society and in which women exerted either direct or indirect power.
Women lost out in such arrangements, first, with the spread of Islam and Christianity and later with colonization. Women participated actively in nationalist movements, but their motivations sometimes differed from those of men, and were related, for example, to taxation and the desire to improve female education. After independence, women were further sidelined from political life with a few exceptions. It was not until the 1990s that we began to see the reemergence of women political leaders. This happened with the opening of political space, which allowed for the emergence of women’s organizations, coalitions, and movements that pressed for an increased political role for women. The decline of conflict after 2000 created greater stability that enhanced these trends. Pressures from the United Nations after 1995 and from foreign donors strengthened domestic actors pressing for women’s-rights reforms in the area of political representation.
Gretchen Bauer, Akosua Darkwah, and Donna Patterson
Building upon their participation in anti-colonial struggles across Africa in the mid-20th century, African women have taken on many political roles in the post-independence period. While military rule and single-party rule precluded access to elected office in many countries in the early years after independence, female combatants fought alongside their male counterparts in ongoing struggles for national liberation in other parts of Africa, especially southern Africa, into the 1980s and 1990s. In many countries, national gender machineries established in the 1970s provided an institutional infrastructure for pursuing women’s rights even if they were often not fully implemented. State feminism, articulated through First Ladyism and state-led national women’s associations, sought to co-opt women’s struggles for political gain. In some instances, it did ameliorate women’s economic hardships and promote political participation. Women’s mobilization in the 1980s, in part a response to the severe impact of structural adjustment programs on devastated African economies, led to local-level organizing and eventually to a focus on women’s access to political office. Since the political transitions that swept the continent beginning in the early 1990s, women have accessed political office in all three branches of government in unprecedented numbers just as new forms of mobilization have emerged around issues like the rights of sexual minorities.