David M. Gordon
A discussion of the precolonial history of the interior south-central African polities first described by Jan Vansina in his influential book, Kingdoms of the Savanna, including the Luba (in particular the Luba-Katanga of the mulopwe titleholders), Lunda (the nuclear Lunda, also termed Rund, of the mwant yav titleholders), Lunda-Ndembu, Chokwe, Pende, Luvale, Luluwa, Kanyok, Luba-Kasai, Kuba, Eastern Lunda, Yeke, and Bemba. Considering whether the label “kingdom” applies to these diverse polities, this entry looks at critical and revisionists accounts of oral tradition as well as new interpretations deriving from the study of art, archaeology, ethnographic fieldwork, linguistics, and documentary sources. In addition to (and instead of) kingdoms, this article identifies the creation of alternative political affiliations, in particular a religious association concerned with fertility that became known as the “Luba” and alliances based on fictive kin that became known as “Lunda.” In both these cases—as with related polities—trade and violence during the 18th and 19th centuries ratcheted up the need for centralized polities resembling kingdoms rather than the dynamic affiliations that had existed in prior centuries. In the 19th century, as sovereigns struggled over legitimacy and subjects questioned the power of sovereigns, they both created art, oral traditions, and praises that projected kingdoms and kingship into a vague antiquity.
Over the last couple of centuries, there has been a profound shift in the things which Africans have around them, or in other words their material culture. At differing speeds and to different extents, depending on the part of the continent and the political and religious positioning of the people concerned, the goods of the globalized world have penetrated to the farthest reaches of Africa. Belongings, and thus identities, have taken on new forms. This, however, is not a completely new phenomenon, as Africans have been absorbing things from outsiders to the continent for as long as there have been humans outside Africa. Understanding these shifts, and analyzing the causes and consequences thereof, requires the study of a wide variety of types of sources, many of which are dealt with by historians of Africa with a rare degree of sophistication, so that the fascinating stories of material change can be fully examined.
Archaeozoology is the study of animal remains, mainly bones and other hard parts, from archaeological sites. It contributes to a more complete understanding of various aspects of human life in the past. Ideally, archaeozoologists, like other specialists, should be involved in the entire process of an archaeological research project, from its design, to fieldwork and data collecting, to final reporting and publication. For efficient communication and fruitful collaboration, the archaeologists involved in this process need to understand the basics of archaeozoological methodology and the range of questions that the discipline can answer. Methods vary among archaeozoologists—not least with regard to quantification—and it is important to be aware of these differences and their possible impact on results when comparing data for different sites. While the actual analysis of animal remains is done by the archaeozoologists, preferably in circumstances where they have access to a comparative collection of recent animal skeletons, the excavation and collection of remains is often the responsibility of the archaeologists. Animal remains are affected by a host of taphonomic processes of loss that are beyond our control. To avoid additional loss of information at the fieldwork stage, appropriate methods are particularly important. The use of sieves with a mesh size no greater than 2 mm is essential in order not to miss the smaller, but no less informative, animal remains. Project leaders play an important role in providing good storage facilities for archaeozoological remains after excavation and after study. With the rapid development in analytical methods, it can be extremely interesting to return to previously studied remains and sample them.
Biography in the African context can take many forms, from brief entries in a biographical dictionary or obituary in a newspaper to multivolume studies of single individuals. It can encompass one or many subjects and serves both to celebrate the famous and illuminate obscure lives. Biographies can be instructional as well as inspirational. Sometimes, it is hard to draw a line between biography and autobiography because of the way a work has been compiled. An attempt is made to understand this vast range of forms, with reference to social and political biography. The main focus is on work produced since the 1970s, with examples drawn from all regions of sub-Saharan Africa (although Southern Africa is better represented than others, as is English-medium material). Matters that preoccupy biographers everywhere, such as the relationship between writer and subject and the larger relationship between biography and history, are raised. Biography can be an excellent entry point into the complexities of African history.
Robert Gordon and Jonatan Kurzwelly
Much has changed since photographs were used simply as apt illustrations and depictions of reality. The field of visual history has now become an important and legitimate area of rigorous enquiry. Photography and photographs as source material for research is now a widespread practice in history, anthropology, sociology and other social sciences and humanities. Both the historical trajectory of this medium in Africa, as well as some important theoretical and methodological issues which Africanists should be aware of, are introduced here. Photography is heavily imbricated in the rise of modernity. Different visual eras are delineated as technology and accessibility of the medium became easier to use and more accessible, moving on a continuum from daguerreotypes featuring mostly portraits and landscapes done by professionals largely for the elite to carte d’visite to postcards and stereoscopic-cards which decline with the introduction of spool photography epitomized by the inimitable Kodak, led to access by the broad middle class. After several innovations featuring 35 mm cameras and slides, digital photography arrived and made the medium even more accessible with smartphones leading the proverbial gaze to be turned into a glaze.
Alongside the historical development of photography, it is necessary to understand the different theoretical and methodological implications in the study and uses of this medium. Photography in itself can be understood through materialist, idealist and social constructivist ontological approaches. Whereas the latter is predominant in history and social sciences, a complementarity of different perspectives should be applied when using and assessing photographs as sources. For purposes of historical research the meaning of a photograph is established largely through contextual information about the image, its making, its different uses, and distribution. It is also important to consider how meaning is established in relation to other photographs or texts (i.e., through intertextuality). Issues include the assessment of images, ways of evaluating their credibility, and the questions scholars might ask in interpreting the meanings of the images, including identifying the provenance of the image, as well as the context in which the image appears. Was it intended for public or only private distribution? Was it in an archive, album, used in a publication, as a postcard and how might it be captioned? What affective meaning might it convey? How might one detect a fake? Besides using archival images, photography might also be used for photo elicitation and other experimental or participatory research methods.
The use of numerical data and statistical sources in African history has expanded in recent decades, facilitated by technological advances and the digitization of primary sources. This expansion has included new analysis of traditional measures (population, government, and trade) as well as new sources of individual-level data such as census returns, marriage registers, and military and police records. Overall, this work has allowed for a more comprehensive quantitative picture of Africa’s history, and in particular facilitated comparisons within Africa and between African countries and other parts of the world. However, there remain misunderstandings about the collection, use, and interpretation of these data. Increasingly sophisticated methods of quantitative analysis can alienate scholars who have an intimate knowledge of the data and how they are produced, but lack specialist methodological training. At the same time, limited understanding of the origins and reliability of quantitative data can lead to misinterpretation.
The study of loanwords, and of language contact more generally, is a useful tool in tracing encounters and exchanges between different communities in the past. Loanwords often come in sets related to specific semantic fields, illustrating the nature of exchanged goods and ideas, as well as the nature of contacts between those communities, for instance, economic exchanges or political dominance. Examples include the adoption of new crops and subsistence techniques, in both ancient and recent periods, and the strong Arabic influence in multiple domains on the Swahili language. Loanwords are but one outcome of language contact. More intense contacts can lead to structural borrowing; to convergence between nonaffiliated languages, resulting in linguistic areas; and to language shift. The languages of so-called pygmy hunter-gatherers are a notorious example of people abandoning their own language in favor of a new one.
To identify loanwords and to distinguish them from inherited vocabulary, it is necessary to apply the comparative linguistic method. Irregular sound correspondences and morphological traits, and a continuous distribution across linguistic boundaries are indicative of borrowing. The possibility of semantic analysis and the presence of cognates in related languages may confirm the identity of the donor language. The identification of loanwords suffers from a few drawbacks, however. Some sounds have not changed for centuries or even millennia, preventing the distinction between loans and inherited words. Or loanwords may have become integrated in the phoneme inventory of the recipient language, giving the impression of regular sound correspondences. But even if loans can be recognized as such, the donor language cannot always be traced. Finally, it must be said that the study of loanwords attains the best results when it is based on well-annotated data, with detailed semantic description and a list of regular sound correspondences and adequate classification at hand.
Amidu Olalekan Sanni
Of central interest here are the historical sources on Islam and Africa, the role and contributions of manuscripts to the narrative, and how the new cyber world has become a domain for those sources as instruments for the generation and utilization of knowledge. Africa came in contact with Islam right from the birth of the faith in the 7th century. Although Judeo-Christian, Late-Antique, and pre-Islamic materials provided the earliest historical sources on Islam and its people, the Qur’an, hadith (statements of the Prophet Muhammad), and the sira/maghāzī (biography/expeditions) were the first original sources on Islamic history on which later writings, including those from Africa, drew.
The manuscript tradition in Islam is as old as the faith itself; it was one of the earliest material sources on Islamic sciences, and in the case of Africa, it provided a treasure trove of materials. At the beginning of the 21st century, the approach to scholarship and utilization of manuscripts changed radically, as digitization, creation of online databases, interconnected portals and links to universal portals, catalogs of manuscripts and published materials, among other innovations, redefined the ways knowledge of Islamic history is generated, accessed, and utilized.
The Horn of Africa has an exceptional cultural heritage, starting with its manuscript sources, which are among the most important on the continent. It is a heritage that is rich but scattered throughout the region and not always easily accessible, prompting researchers to rely on cutting-edge technology. Since the 1970s, photography and microfilm have been key for preserving this especially valuable heritage. In the Horn of Africa, the “digital turn” has been the latest development in the close relationship between technology and research. For Ethiopian manuscript studies, the advent of digitization has meant more than simply improving old techniques. A new generation of projects is experimenting with innovative methods of research made possible by digital technology. The purpose is no longer just to provide digital copies of manuscripts but to explore the possibilities that computerization offers to study documents and other historical sources.
Increasingly competitive prices and low operating costs have made the digital revolution attractive even for African institutions, which, in recent years, have sought answers to the pressing needs of preserving and enhancing their historical sources. These technological developments have significantly broadened the range of sources investigated. While important, manuscripts represent only a part of the documentary heritage of the Horn of Africa. Numerous archives and a long-overlooked print culture offer equally interesting access points for studying the region.
The experience gained, though temporally circumscribed, has highlighted a number of more or less predictable problems. The projects to date, although they have often yielded only partial results, have highlighted the wealth of sources still present in the Horn of Africa and the way in which digital technology is making a valuable contribution to their preservation. Access remains perhaps the most critical issue. In the Horn of Africa, as in other African regions, digitization does not necessarily lead to Internet access.
Dmitri van den Bersselaar
Business records are documents routinely produced by employees and management of commercial businesses. They may be part of internal processes or produced to communicate with stakeholders or to meet legal requirements. They usually include a mix of qualitative (reports and correspondence) and quantitative (detailed accounting data) material. Depending on how complete the material is, documents may relate to: strategic management; accounting and financial data; operational matters; legal issues; trademarks; marketing; personnel files; and labor and welfare issues. Business records add a different dimension compared to information from government and colonial office sources by providing a private sector perspective on key episodes of colonial and postcolonial history, including strikes and protests, the relationship between the (colonial) state and business, and decolonization. Historians have used business records as sources for histories of business and trade in Africa, for studies on industrialization and development, and also to inform studies on colonialism and political history, as well as economic, social, and labor history. Business records may be kept in company archives, where they are not always easy to identify or access, kept in public repositories, or privately held. Many business archives have been weeded, whereby documentation relating to special activities, challenges, and crises has been retained, while routine documentation of interest to economic and social historians has been destroyed. Other collections appear to have disappeared altogether when companies went out of business or were taken over by others.