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Iron production was a particularly important precolonial African technology, with iron becoming a central component of socioeconomic life in many societies across the continent. Iron-bearing ores are much more abundant in the earth’s crust than those of copper, and in Africa, iron was recovered from these ores using the bloomery process, until the importation of European iron in the later second millennium eventually undermined local production. Although smelting was most intensively focused in regions where all the necessary components of a smelt were plentiful—iron ore, ceramic, fuel, and water—frequent occurrences of small-scale, local iron production mean that iron slag and associated remains are common finds on archaeological sites across Africa.
The archaeological remains found on iron production and iron-working sites can provide detailed information about the past processes that were undertaken at these sites, as well as the people involved with the technologies both as practitioners and consumers. A variety of analytical approaches are commonly used by archaeometallurgists to learn more about past iron technologies, particularly those methods that explore the chemistry and mineralogy of archaeological samples. By interpreting the results of these analyses in conjunction with ethnographic, historical, and experimental data, it is possible to reconstruct the techniques and ingredients that past smelters and smiths employed in their crafts, and address important questions concerning the organization of production, the acquisition of raw materials, innovations and changes in technological approach, and the environmental and social changes that accompanied these technologies.
In the open marketplaces found in cities and villages throughout Africa, women traders usually predominate. This gives women considerable weight as economic actors, because these marketplace systems are the primary distributive networks in most parts of Africa. A large proportion of Africa’s consumer goods and foodstuffs move through their intricate chains of intermediaries, which can include market retailers, neighborhood shops, street vendors, wholesalers, and travelers who collect goods from farms, factories, and ports. Although the vast majority of women traders live at or below the poverty line, some have risen to powerful positions that earn them the sobriquet of queen.
Different regions of Africa show distinctive patterns of trading practices and of men and women’s participation in specific trading roles, reflecting specific gendered histories of precolonial trade, colonial interventions, and waves of national policy. These variations arise not from some primordial isolation, but from traders’ varied positioning within longstanding trade relations that have linked Africans since ancient times between regions, across the Sahara Desert and over adjoining oceans. Women’s trading roles are more highly developed in western Africa than in eastern, northern, and southern Africa, where precolonial trading patterns were more radically disrupted by conquest, land appropriation, and apartheid.
Ideologies and arenas of practice such as Islam, Christianity, modernization, socialism, structural adjustment, and globalization likewise shape the constraints and opportunities facing women traders in any given situation. Because these influences operate around the globe, though not uniformly, they to some extent create parallel or convergent trends in widely separated nations. Deepening economic pressures today push even more women and men into trading to support their families and sustain the hope of prosperity. Market women struggle individually and collectively to keep their communities going under difficult circumstances that make formal economic channels function poorly. Their determined efforts give African economies more resilience as they respond to the challenges of war, political instability, and climate change.
John M. Janzen
Religion and healing are useful scholarly constructs in summarizing, consolidating, and interpreting a myriad of details from the historic African-Atlantic experience. For heuristic purposes, religion is understood as the worldviews, rituals, and supernatural beings that represent ultimate reality; healing is the understanding of, and responses to, affliction and misfortune, and the struggle to achieve wholeness. Combining religion and healing in an overview of the African diaspora experience will consider the following: original African worlds in four regional contexts in Western and Western Central Africa (e.g., Senegambia, Upper Guinea, Southern Guinea, Kongo-Angola); the traumatic middle passage refracted in the “broken mirrors” of memory; how this memory is mixed and reinterpreted with the New World experience of slave markets, plantations, maroon settlements, and during post-slavery, post-empire times; scholarly models of continuity and transformation; and modern constructions of religion and healing.
Between 1888 and 1897, rinderpest virus (cattle plague) spread throughout sub-Saharan Africa, presumably for the first time, killing over 90 percent of African cattle and countless wildlife, expedited by European colonial conquest. Beginning in the Eritrean port of Massawa, the virus was transmitted across the Sahel, reaching the Senegal River by 1891. The epizootic spread south out of the Horn of Africa, into the western and eastern Rift valleys, and likely by sea with coastal commerce, infecting East Africa after 1891. Although slowed by the Zambezi River, in 1896 rinderpest reached the regions of modern Zimbabwe, Mozambique, Botswana, South Africa, Namibia, and southern Angola before it burned out or was arrested by breakthroughs in vaccine therapy by 1900. South of the Zambezi, early European methods of stanching rinderpest by destroying all cattle exposed to the virus often elicited protest, resistance, and sometimes rebellion. Rinderpest was eliminated from southern Africa shortly after the turn of the 20th century but became enzootic in other parts of the continent, often in wildlife, until eradicated globally in 2011. In each region of infection, local ecologies, trade patterns, agricultural bases, social structures, and power dynamics shaped the impact of rinderpest. Almost everywhere, rinderpest was preceded by drought and locust plagues, and followed by human diseases, especially smallpox and malnutrition.
The study of West Africa has contributed to the expansion of comparative arid-lands floodplain prehistory, from both the data collection (cultural and historical) and the theoretical aspects. The neoevolutionary approach that often pictures Africa as a backward continent has been successfully challenged. In the Middle Senegal Valley and in the Inland Niger Delta, research on their societies’ complexity done along these two subcontinent’s floodplains has described new processes (including urbanization) that were not previously featured in the archaeological literature. The two floodplains, because of their ecological diversity, with the richness of their ecological diversity, attracted Saharan populations affected by drought at the end of the second millennium and the first millennium BC. However, after their initiation occupation the two areas took different trajectories in complexity and settlement organization. Large complex settlements have been found at Jenne-jeno and in the Ile a Morphil that illustrate whole new trajectories of civilization. These forms of complexity, found in areas with historically known polities, were not included in the range of possibilities predicted by standard complexity theories regarding civilizational development. Ethnographic and historical data, reveal the existence of societies with a central authority embedded within and balanced by a diffuse, segmented and heterarchical power structure; often as a strategy to resist the individual consolidation of power. These societies exhibit evidence of horizontal differentiation and consensus-based decision making. All these types of organization are characterized by the presence of several sources of power vested in corporate entities, such as lineages, age groups, cults and secret societies.
Contrary to popular belief, the animated moving image on the African continent has long and diverse histories across many countries. Although it shares both the technology and some of the formal aspects of cinema, its historical development followed a different trajectory to that of indexical film, both in Europe and in Africa. This may be because of animation’s ability to draw upon a range of artistic practice, which means it can take many guises; at times it appears like a cartoon, or sometimes like puppets or sculptures that come to life; at other times it is a metamorphic drawing or painting, or even a photographic montage. In addition, while animation tends to be associated with content specifically intended for a children’s audience, it has in fact been an effective vehicle to conceal sociopolitical critique that would otherwise be considered problematic. Different animators in Africa have used animation to this end, presenting subversive and social-realist content within the unrealistic depictions of fantastical stories, the parodic, comedic or allegorical, or culturally located visual metaphors. African animators have also used animation to safeguard and give permanence to the stories, myths, and legends they grew up with. These legends have occasionally also informed animated superheroes in games such as the Kenyan mobile phone application Africa’s Legends, or the cast of an Afro-futurist setting such as the Nigerian “Afro-anime” production Red Origins. With the onset of digital technology, the landscape of animation in Africa has seen a blossoming of activity from expert and non-expert prod-users. Their work circulates in formal and informal settings, whether visible at a festival, on television and mainstream media, in online social networking spaces or on video streaming sites such as YouTube or Vimeo. The prolific characteristic of animation made for digital spaces has resulted in a paradoxical simultaneous visibility and invisibility. Networks of African artists have benefited from the visibility and distribution that the Internet and smart phone technologies offer; for example, Kenyan multimedia artists Just a Band were quoted as saying that they were discovered online before they were discovered in Nairobi. However, the ephemeral quality of these digital spaces can also be problematic from the archivist’s perspective as digital traces change. For this reason it is increasingly important to capture the traces that African artists leave in this dynamic space as they reflect the zeitgeist.
Jacqueline-Bethel Tchouta Mougoué
From 1958 to 1961, Kom women in western Cameroon cast aside their regular domestic and agricultural duties to engage in a revolt against British administrative interference in agriculture—normally their domain—and the alleged plan by the ruling political party, the Kamerun National Congress (KNC), to sell Kom land to Nigerian Igbos. In keeping with the practices of anlu, a centuries-old women’s organization generally deployed against people who violated the Kom moral code, women interfered with burial rituals; hurled insults at men in public; demanded the closing of schools, courts, and markets; set up roadblocks; destroyed and burned property; and defied both traditional and British authorities in the Bamenda Grassfields of western Cameroon. Their tactics included stripping naked in front of men. While local men considered the sight of the vagina in public to be a bad portent and thus understood the seriousness of the revolt, flabbergasted British officials had no idea what was to come. By seizing control of resources and demonstrating in public, Kom women disturbed local political power, and protested against British rule in the Southern Cameroons. They were a crucial force in the victory of the Kamerun National Democratic Party (KNDP) in 1961, which brought a restoration of political order at the time of independence.
For scholars of African history, anthropology offers a number of valuable and invigorating methodological avenues, from engaging directly in ethnographic fieldwork to analyzing anthropological data compiled by others. Given the asymmetries of written documents and the biases of archival material for Africa, anthropological methods and sources offer a different type of access to those who, for various reasons, tend not to appear in other forms of documentary record. The materials of past ethnographic research—texts and material objects, produced and collected by anthropologists and their assistants as well as by missionaries, government officials, travelers, and others—constitute one of the largest categories of written source material. However, the contexts in which such research was conducted can present certain challenges when using these materials as sources. For example, the complex entanglements between colonial governance and the making of anthropological knowledge make it imperative for historians to be aware of the discipline’s intellectual history and how its ways of seeing and ordering have shaped portrayals of Africa’s diverse cultures.
Methodologically, historians are also experimenting with field methods that draw heavily on ethnographic techniques. The emergence of historical ethnography has developed a rich, syncretic approach, in which communities’ own relationships with, and understandings of, the past are brought to the fore. Although ethnography is known for its immersive and long-term fieldwork, elements of the technique can also be incorporated into other historical methods. This is in part a matter of approach, rather than of different source material. For example, engaging ethnographically with archives can offer different insights into issues of governance and the production of knowledge.
The meaning and context of gender is contested even in the 21st century. No generalizations about gender are applicable through time or across space. Even where gender roles are defined by particular cultural norms, they are not static, and an individual may pass through several gendered social transformations in a lifetime. Sub-Saharan African rites of passage into adulthood are sometimes marked by gender-specific physical mutilations such as circumcision, dental modification or scarification, together with other forms of symbolic marking that invariably adopt a binary gender system as the norm. The initiations are largely designed to instruct initiates about behavior appropriate for men and women of reproductive age belonging to a specific community. Some aspects of initiation rites may be detected archaeologically through skeletal alterations, rock art motifs, and props such as scarified dolls. Concepts of gender are also connected to the last rite of passage: burial. Through this, people gain access to the ancestral world. In some parts of Africa such as Mali, men and women are buried with the artifacts they owned in life, while in Ethiopia, stelae mark the gender of the deceased. Elsewhere, as in the Stone Age of southern Africa, gender-undifferentiated grave goods are placed with men, women, and children, suggesting a genderless ancestral world. Gender roles can be identified in some archaeological sites in parts of Africa, and these roles sometimes appear to have altered through time. Gender roles changed with environmental shifts, and certain tasks such as big-game hunting disappeared as a result. In other cases, gender roles were revised because of social pressures imposed on specific communities.
This is an advance summary of a forthcoming article in the Oxford Research Encyclopedia of African History. Please check back later for the full article.
Archaeozoology is the study of animal remains, mainly bones and other hard parts, from archaeological sites. It contributes to a more complete understanding of various aspects of human life in the past. Ideally, archaeozoologists as well as other specialists should be involved in the whole process of archaeological research projects, from their design to fieldwork and data collecting, until final reports and publication. For efficient communication and fruitful collaborations, (leading) archaeologists need to understand the basics of archaeozoological methodology and the range of questions the discipline can answer. Methods vary between archaeozoologists—not in the least concerning quantification—and it is important to be aware of these differences and their possible impact on results, when comparing data for different sites.
While the actual analyses of animal remains are done by the archaeozoologists themselves, preferably in circumstances where they have access to a comparative collection of recent animal skeletons, the excavation and collection of remains often falls under the responsibility of the archaeologists. In order to guarantee a minimal loss of information at this stage—on top of all the taphonomic processes of loss beyond our control—appropriate methods are particularly important. The use of sieves with mesh sizes of at least 2 mm is essential in order not to miss the smaller, but not less informative, animal remains. Where project leaders can furthermore play an important role is in providing good storage facilities for archaeozoological remains after excavation and after study. With the quick development of analytical methods, it can be extremely interesting to return to previously studied remains and to sample them.