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Joseph C. Miller
The University of Wisconsin-Madison has been a prominent producer of doctorates in African history since 1963. As of 2017 the institution had granted more than 110 degrees. Philip D. Curtin and Jan Vansina, both pioneers in launching the field, led the program until 1975 and were joined in 1969 by Steven Feierman. Together, they supervised an initial cohort of graduates, several of whom became leaders of the then still-formative field, particularly in its methodological infrastructure, as well as in economic and demographic history, slavery in Africa and the Atlantic slave trade, and medical history. The distinguishing features qualifying a diverse array of individual intellectual trajectories as a coherent “school” include a focus on epistemologically historical approaches anchored in the intellectual perspectives of Africans as historical actors and often also as they engaged broader commercial Atlantic and Indian Ocean and world contexts; smaller numbers of more recent doctorates had subsequently sustained these orientations.
Former graduates of the program, William W. Brown, David Henige, and Thomas T. Spear, returned after 1975 to update this framework by bringing social theory and cultural history to bear on the African historical actors at the program’s core. Since 2005, a third generation of faculty members, Neil Kodesh, James Sweet, and Emily Colacci (all students of Wisconsin PhDs teaching at other institutions), have added contemporary approaches to the Wisconsin school’s continuing commitment to Africans’ distinctive epistemologies as they engaged the flows of modern global history. Professionally, Madison graduates have, accordingly, led the ongoing effort to bring Africa in from its initial marginality—as the continent seen as uniquely without a history—into the historical discipline’s core. An aphoristic summary of the Wisconsin legacy might be “Africans’ worlds and Africans in the world.”
Aubrey Bloomfield and Sean Jacobs
The Internet and social media increasingly are becoming sources about the African past and present in ways that will influence to some extent how history will be learnt and the form that methods of historical research will take. Social media have increasingly dislodged print journalism as “the first rough draft of history” and tended to democratize and hasten information sharing and communication. Historians are working through difficult debates about the Internet as a source archive, the usability of websites, and related matters. The debate over online resources and their use in historical and other studies on one level remains unresolved. Nevertheless, online sources add another rich layer to narratives, stories, and perspectives that are already being recorded or told, and in this regard they will add to the storehouse of empirical data to be crunched by future historians.
Gregory H. Maddox
The Dar es Salaam School of African History refers to the work of a group of historians based at what became the University of Dar es Salaam in Tanzania. Led initially by Terrance O. Ranger, the scholars of the History Department there in the late 1960s focused on researching and writing a new history for a newly independent nation. The works produced focused on the idea of Africans making their own history and on the rise of anticolonial nationalism. They most immediately argued that common oppression by colonial states created the conditions for the development of organic national movements for liberation. This later aspect led this type of history to be called nationalist history.
By the late 1960s, historians at Dar es Salaam had developed a critique of nationalist history that used Marxist theory to explain the domination of Africa under colonialism and its continued subjection in the postcolonial era to the capitalist world system. Led at first by Walter Rodney but taken up by a number of younger Tanzanian historians, this movement led some to call it the New Dar es Salaam School. The proponents of this consciously radical approach to history argued that nationalist historians had romanticized African nationalist movements and failed to identify them as heirs to the opporesive and exploitative nature of colonialism. They concluded that independence represented only the first step in the true liberation of Africa. Both of these approaches to history have had significant influence on the study of African history across the continent.
Political complexity in archaeological research has traditionally been defined as socio-political differentiation (roles, statuses, offices) integrated through centralized systems of power and authority. In recent decades the assumption that complex organizational forms tend to be hierarchical in structure has been called into question, based upon both archaeological research and ethnological observations worldwide, including in classic archaeological case studies of centralization. Moreover, there has been an increasing interest in exploring variability in political legitimizations and articulations of power and authority globally. Until these theoretical shifts, West African complex societies, both archaeological and from ethnographic analyses, were largely ignored in discussions of political complexity since many (but not all) conformed poorly to the expectations of highly centralized power and administration. West African ethnohistoric and archaeological examples are now playing important roles in current discussions of heterarchical organizational structures, checks on exclusionary power, cooperation, urbanism, ethnicity, and the nature of administration in states.
Imperial expansion cast European sport, embedded with moral codes and social divisions, across Africa. The government, the church, schools, and the army encouraged colonized peoples to play sport because of its professed ability to discipline and to civilize. Yet sport in Africa developed in the context of existing local ideas about appropriate human movement. Over time, African sport reflected both indigenous and European organization, ideas, and aesthetics, with football (soccer) becoming a particular object of passion. The era of decolonization came with sporting independence. Sport provided a platform for newly independent African nations to consolidate national and pan-African identities and assert full membership and power in the international community, though it could prove divisive as much as integrative, depending on the situation. From continental cups to Western-style sport gatherings, continuities with imperial pasts informed postcolonial African sport. Yet sport also provided a bulwark of resistance against colonial hegemony and racist regimes on the continent. Well into the 20th century, boycotts of sport gatherings and events were threatened and carried out in protest against racist regimes in southern Africa.
While many of those who have written about South Africa have included reference to past events, it was only from the early 19th century that attempts were made to present a coherent picture of South Africa’s past. From the early 20th century professional historians, for long all white males, began to present their interpretations of the way in which the country known from 1910 as the Union of South Africa had evolved over time. In the Afrikaans-speaking universities there emerged an often nationalist historiography, while the major English-speaking historians presented a more inclusive but still often Eurocentric and mainly political view of the South African past. From the 1960s a conscious attempt was made to decolonize South African historiography by looking at the history of all the country’s peoples, but the historical profession remained almost exclusively white and the few black works of history were largely ignored. Many of those who were most influential in taking South African historical writing in new directions were South Africans who had left the country and settled abroad.
In the 1970s and 1980s, a golden age of South African historical writing, shaped in part by the influence of neo-Marxist approaches from the United Kingdom and the United States, many new topics were explored, including the relationship between race and class and between capitalist development and apartheid. By emphasizing resistance to racial segregation in the past, South African historical writing assisted the process leading to the end of apartheid. By the time that happened, South African historical writing had become very nuanced and varied, but only to some extent integrated into the historiography of other parts of the African continent.
Rock art is an archaeological resource with the potential to reconstruct aspects of the ideologies of prehistoric societies. Research methods are distinguished here from theoretical, interpretive frameworks. The methods discussed here concern the documentation of rock art, methods of working with the temporal dimensions of rock art (such as developing relative chronologies and dating), and the characterization of pigments. Nonetheless, the choice of research methods depends on an explicitly formulated, theoretically informed research question. Research aims will also determine the scope and scale of the documentation and chronological methods employed.
Fieldwork is a major and initial component of documentation and may involve surveying for rock-art sites. Researchers should experience rock art first hand. Digital mapping and imaging techniques are used routinely, but field tracings continue to be an important means of recording and interpreting the art. Computational photography includes enhancement software such as DStretch and other techniques that enable researchers to see details that would otherwise be invisible.
Temporality is a fundamental attribute of rock art, and the biggest challenge in this regard is to relate the chronological sequences on the rock face to other archaeological and environmental data and thus contextualize the rock art. Relative chronologies provide information about the order of image-making episodes at a site or in a particular region. Age determinations may be arrived at using correlative methods in which the art is dated by means of independently available age ranges. Accelerator Mass Spectrometry (AMS) radiocarbon dating is commonly used to date organic paint samples. Engravings are difficult to date; age ranges obtained from cation-ratio (CR) and varnish microlamination (VML) are regarded as approximations. Pigment analysis is used to characterize the inorganic components of paint and to detect the presence of organic components. Research methods are multidisciplinary and thus require a coordinated, unified approach in order to achieve the research aims.
David M. Gordon
Archives used in Africanist historical research include those of the colonial state, postcolonial national archives, missionary archives, personal papers, political party archives, and the archives of corporations and international agencies involved in African affairs. Africanists historians generally accept that these archives are not transparent renditions of the past; they represent and even reproduce power relations related to colonialism and its legacies. Nonetheless, careful readings have enabled Africanist historians to understand the structural order and logic these archives (the archival grain), and thus demonstrate colonial (or other) power relations implicated in the collections. Reading archives against the grain can also reveal alternative voices and agents, however. Even as discussions of archival methodologies have been limited, archives have remained crucial sources for key trends in Africanist historical writing, including the representation of colonial hegemonies as well as African voice and agency. To advance such readings, Africanist historians develop post-positivist readings of archives that appreciate silences, dissonances, and conflicts within archives and documentation. Through a process of archival fieldwork, including a careful combing of archives, reading of files, and transcribing of select documents, historians have become adept at appreciating the grain of archives and reading the archive against this grain. The digitization of archives and digital research methods, including electronic search engines, full-text searches, online archives, and digital photography, challenge aspects of traditional archival fieldwork, holding benefits and potential setbacks for the critical appreciation of archival documentation. These challenges have sharpened with the changing role of physical documentation along with an increase in smaller archives that enable serendipitous and hodgepodge archival investigations.
The mode of enquiry in African economic history has changed quite radically in recent years. In 1987, Patrick Manning surveyed practices and databases in African economic history and compared empirical strategies of scholars who studied the African past. Current practice, which A. G. Hopkins called “new African economic history,” incorporates econometric methods. The specific methods chosen and the types of source material used have implications for what kind of questions are asked and how they can be answered. The dominant mode of research in current African economic history, responding to some of the new challenges posed by econometric work by economists, is to create new data sets and databases that allow more consistent analysis of economic change over time.
Historians, anthropologists, sociologists, psychologists, and independent scholars have used oral history and life history, two slightly different but complementary methods, in order to help researchers develop a deeper understanding of the past in Africa. While both methods are best employed when analyzing late-19th-, 20th-, and early-21st-century history, these methods have also been used in histories of slavery and with survivors of trauma, displacement, and marginalization. Oral history is quite effective in gathering the histories of nonliterate populations, or people who are considered marginal to the larger society. While the study of oral history and life history has been powerfully fruitful in Africa, researchers must take care to consider both the benefits and limitations of these approaches. Is an oral history account the ultimate example of an unmediated African voice or do both individual and group memories reflect the selective memory that occurs as a result of the power dynamics evident in any society?