Jacqueline-Bethel Tchouta Mougoué
From 1958 to 1961, Kom women in western Cameroon cast aside their regular domestic and agricultural duties to engage in a revolt against British administrative interference in agriculture—normally their domain—and the alleged plan by the ruling political party, the Kamerun National Congress (KNC), to sell Kom land to Nigerian Igbos. In keeping with the practices of anlu, a centuries-old women’s organization generally deployed against people who violated the Kom moral code, women interfered with burial rituals; hurled insults at men in public; demanded the closing of schools, courts, and markets; set up roadblocks; destroyed and burned property; and defied both traditional and British authorities in the Bamenda Grassfields of western Cameroon. Their tactics included stripping naked in front of men. While local men considered the sight of the vagina in public to be a bad portent and thus understood the seriousness of the revolt, flabbergasted British officials had no idea what was to come. By seizing control of resources and demonstrating in public, Kom women disturbed local political power, and protested against British rule in the Southern Cameroons. They were a crucial force in the victory of the Kamerun National Democratic Party (KNDP) in 1961, which brought a restoration of political order at the time of independence.
Jama’atu Ahlis Sunna Lidda’awati wal-Jihad, better known as “Boko Haram,” is the most violent phenomenon of the Nigerian Fourth Republic. It is responsible not only for a regional food crisis that has devolved into famine in some areas, but also the displacement of millions and the deaths of tens of thousands of people. The insurgency in Nigeria began as a dissident religious sect’s venting of local grievances in Maiduguri, the capital of the northeastern Borno State. The movement was founded at the turn of the century by Mohammed Yusuf, a Salafist preacher notorious for his rejection of Western education and government employment.
Boko Haram only gained significant international attention in the aftermath of the 2014 abduction of more than 270 schoolgirls from their dormitory in the remote town of Chibok, but the group did not always employ such deplorable tactics. Although policymakers in capitals the world over have been eager to emphasize the group’s connections to international terrorist groups, the movement is localized and often more akin to an African insurgency than to a prototypical terrorist organization. The group’s initial years were characterized by relatively benign activities like the provision of social services, punctuated by occasional bouts of criminality that, over time, escalated into a series of targeted assassinations that provoked federal government response. A series of violent actions ultimately transformed Boko Haram from a largely nonviolent fundamentalist religious movement into the lethal and resilient force it is today, known internationally for its brutality: notably, the group’s interactions with the Nigerian security sector, categorized by indiscriminate state violence; leadership changes within the insurgency’s ranks that elevated Abubakar Shekau following Mohammed Yusuf’s execution; and regional trends in weapons flows and ideological currents.
Studies of French decolonization in West Africa have traditionally treated it as a planned and reasonably smooth process. It has therefore been portrayed as a successful decolonization that stands in stark contrast to the much more conflictual decolonization processes in Indochina (1947–1954) and Algeria (1954–1962), which were marked by prolonged wars. This approach has tended to give pride of place to the role of individuals—members of France’s governing elites and African political leaders—who are portrayed as having successfully managed the transition to independence. While the importance of such individuals cannot be denied, it is important to recognize that French decolonization in West Africa was a contingent process. Shaped by the particular nature of French colonial rule in the region, the new international context after 1945, events on the ground, and—on the French side—the perceived need to maintain empire at all costs in order to restore French grandeur after the humiliation of defeat and occupation in the Second World War, it was a process that involved a multiplicity of French and African actors who were not in control of the policy agenda but who were, on the contrary, operating in a highly constrained context and constantly being forced to react to rapidly unfolding events. De Gaulle finally decided to grant independence in 1959, and within a year all the territories of former French West Africa had gained their political independence. However, political independence did not mean French withdrawal and the end of French dominance. There were many continuities between the colonial and postcolonial periods, which have been analyzed in a burgeoning literature on French neocolonialism in sub-Saharan Africa. Decolonization should therefore be seen as a process that started well before French rule formally ended in 1960 and that is—arguably—still ongoing.
The West African savannas are a major area of independent plant domestication, with pearl millet, African rice, fonio, several legumes, and vegetable crops originating there. For understanding the origins of West African plant-food-producing traditions, it is useful to have a look at their precursors in the Sahara during the “African humid period” between 10,500 and 4,500 years ago. The Early and Middle Holocene Saharan foragers and pastoralists intensively used wild grasses for food but did not intentionally cultivate. Due to increasing aridity in the late 3rd millennium
Richard T. Chia and A. Catherine D'Andrea
Recent narratives on the origin of food production in the West African forest zone have replaced earlier diffusion-based models with viewpoints that emphasize the diversity of sources for plants and animals exploited and domesticated in the region. Management of indigenous tree species, including oil palm and incense tree, managed first by indigenous foragers, have the longest history in the area, dating back to over 8,400 before present (
At the end of World War II, Britain and France tried to find new bases for the legitimacy of empire. Their hesitant moves created openings that African political movements exploited. Scholars have tried to capture the excitement of this process, first focusing on the drive to create nation-states, then exploring other possibilities, both regions within territorial states and federations among them. Historians have drawn on archives and interviews as well as a wide variety of texts produced by political movements.
Although Africans had long conducted politics through both local idioms and pan-African connections, the postwar openings led political movements to focus on arenas where they could achieve results. In French Africa, this entailed a partially successful struggle for French citizenship, representation in both the French and territorial legislatures, and social and economic equality with other French citizens. Eventually the French government tried to diffuse claim-making by devolving internal autonomy to territorial governments. When Guinea obtained independence in 1958 and other African leaders differed over whether they should create a francophone African federation within a Franco-African confederation or participate as equals in a French federation, the movements shifted to seeking independence and a new relationship with France.
Britain failed to get African politicians to focus on local governance. Instead, politicians demanded power in each colony. Meanwhile, Britain tried to appease African social movements with a program of economic development only to face escalating demands and heightened conflict. Although fearful of disorder and corruption, the government decided that the best it could hope for was to have attracted Africans to a British way of life and to achieve friendly relations with African governments that, led by Ghana, came into power.
Postcolonial West African history can be understood in terms of transitions across three successive eras: a post-independence era of high nationalism; the military era, characterized by profound political and socio-economic instability; and, finally, since the early 1990s, a democratization era, marked by continued swings between fevered hopes and anguished realities. These temporalities arguably converge on a singular leitmotif, namely, the attempt by state power to preserve its privileges and the struggle by social forces to resist the state and draw effective boundaries between the private and public domains. Gloomy for most of the “lost decade” of the 1980s, the prospect for such a project appears brighter today, especially in the aftermath of pivotal shifts in the global and regional political landscapes.
Samuel Ajayi Crowther was a Church Missionary Society (CMS) missionary bishop charged with evangelizing the territories that became modern Nigeria. Over the last decades of the 19th century Crowther was the best-known Christian of African descent in the British empire. Pious offerings from British Christians allowed him to build a network of mission stations and schools in the Niger bishopric, as his territories were called. Crowther’s career ended in tragedy with a group of English CMS missionaries that traveled to his bishopric to dismiss as either corrupt or immoral most of the African missionary agents Crowther had recruited over the decades. Crowther resigned his office in protest against what he felt was the usurpation of his authority. Crowther died a short time later. Most of the historical scholarship since Crowther’s death (1891) has been concerned with assessments of two things: Crowther’s missionary strategies and the circumstances behind the events at the end of his career. The events at the end of his life have drawn the greatest amount of attention, but as argued in this article, Crowther is better appreciated for the revolutionary ways in which he rethought the missiological ideas of Henry Venn, his patron and mentor, and applied these ideas to the evangelization of his territories. The schools established under Crowther’s direction offered students a combination of skills aimed at making those students competitive in the society created by the expansion of British overrule in the lands that became Nigeria. The appeal of his schools drew many Africans toward the Anglican Church. By the end of his life, however, Crowther’s schools were coming under increasing criticism from Europeans for making Africans too competitive with Europeans.
In the early 21st century, understanding West Africa’s Stone Age past has increasingly transcended its colonial legacy to become central to research on human origins. Part of this process has included shedding the methodologies and nomenclatures of narrative approaches to focus on more quantified, scientific descriptions of artifact variability and context. Together with a growing number of chronometric age estimates and environmental information, understanding the West African Stone Age is contributing evolutionary and demographic insights relevant to the entire continent.
Undated Acheulean artifacts are abundant across the region, attesting to the presence of archaic Homo. The emerging chronometric record of the Middle Stone Age (MSA) indicates that core and flake technologies have been present in West Africa since at least the Middle Pleistocene (~780–126 thousand years ago or ka) and that they persisted until the Terminal Pleistocene/Holocene boundary (~12ka)—the youngest examples of such technology anywhere in Africa. Although the presence of MSA populations in forests remains an open question, technological differences may correlate with various ecological zones. Later Stone Age (LSA) populations evidence significant technological diversification, including both microlithic and macrolithic traditions. The limited biological evidence also demonstrates that at least some of these populations manifested a unique mixture of modern and archaic morphological features, drawing West Africa into debates about possible admixture events between late-surviving archaic populations and Homo sapiens. As in other regions of Africa, it is possible that population movements throughout the Stone Age were influenced by ecological bridges and barriers. West Africa evidences a number of refugia and ecological bottlenecks that may have played such a role in human prehistory in the region. By the end of the Stone Age, West African groups became increasingly sedentary, engaging in the construction of durable monuments and intensifying wild food exploitation.
This is an advance summary of a forthcoming article in the Oxford Research Encyclopedia of African History. Please check back later for the full article.
Motion picture technology was developed at the dawn of the 20th century, just as the colonization of Africa was launched at the Berlin Conference of 1884–1885. The colonial administrations in West Africa used film as a means for conveying colonial culture to African subjects. For the British and French colonials, film was a means to control public opinion. Both British and French colonial administrations criminalized indigenous filmmaking for fear of the subversive potential of anti-colonial messages. When West African nations became independent in the late 20th century, these restrictions vanished, and Africans began to make films. This process played out differently in Francophone Africa than in Anglophone countries. France cultivated African filmmakers, sponsored training, and funded film projects. Talented and determined filmmakers in Anglophone Africa also struggled to produce celluloid films, but unlike their counterparts in former French colonies, they received little support from abroad. A significant number of excellent celluloid films were produced under this system, but largely in Francophone Africa. Though many of these filmmakers have gained global recognition, most remain virtually unknown in Africa outside the elite spaces of the FESPACO film festival and limited screenings at French embassies. Though West African filmmakers have produced an impressive body of high quality work, few on the continent know of Africa’s most famous films. This paradox of a continent with renowned filmmakers but no local film culture began to change in the 1990s, when aspiring artists in Nigeria and Ghana began to make inexpensive movies using video technology. Early works were edited on VCRs, but as digital video technology advanced, this process of informal video production quickly spread to other regions. The West African video movie industry has grown to become one of the most prominent, diverse, and dynamic expressions of a pan-African popular culture in Africa and throughout the diaspora.